Tuesday, February 19, 2008

Lefty Psychedelic Spawn Of The The San Francisco Renaissance--Introduction

Planning out the series of posts about how I learned magic, what led me to sink my roots deep in Neo-Pagan Craft practice, and why I participate in the world this way but not that, it became obvious that my spending teen aged years in the San Francisco Bay Area, immersed in its vibrant local culture, accounted for a lot.

But that it was going to be difficult to describe. I was in the middle of these many important influences, and they were pulling me one way and another all at the same time. Plus, they were happening, and they had--and were sometimes making--history.

What's more, today many of these then new and vital influences have lost their luster, been turned from their once daring origins to the ends of marketing and weary recitations of the old days.

As a sort of introduction to themes and subjects that I'll return to in later posts, here's a bare bones introduction--Lefty. Psychedelic. San Francisco Renaissance.

Growing up in the San Francisco Bay Area when I did helped make me the Neo-Pagan Craft practitioner that I am today. I am a lefty psychedelic spawn of the San Francisco Renaissance, shaped by a diversity of local and regional cultural influences that
may have culminated in the 1960s and faded away by the 1980s.

Strictly speaking, the San Francisco Renaissance generally refers to a group of avant garde poets active in and around San Francisco from the immediate post-WWII period through the 1960s. They were active presences in the local Bay Area culture, and
their influence went beyond the poetic and literary into the overall popular culture.

The San Francisco Renaissance, more broadly, encompasses a number of currents and movements in poetry, literature, music, studio and performing arts, philosophy, metaphysics, environmentalism, humanistic psychology, print and broadcast media,
science and technology, cross-cultural awareness, and progressive politics.

Avant garde. Innovation and experimentation in art, politics, and culture. That's what the San Francisco Renaissance meant to me. That's the seed that the San Francisco Renaissance planted in me. Make it up. Test it out. Learn from what works. Or from why it doesn't. Go on based on what you've learned.

Creativity is better than reiterating received custom. Change may be better than abiding by that legacy of tradition, particularly if that legacy squelches things to retain its dominance. Wholeness is better than things, places, people in parts, and it's worth making the effort to regain wholeness and to keep it whole.

Psychedelic. In the 1960s altering ordinary consciousness, often with drugs, gained in popularity. Musical forms and styles and modes of presentation came into being to sustain, or to promote, the insights and obstacles altered consciousness encountered, So did art styles, fashions, eroticism, politics, criminality, and other aspects of life style.

My consciousness got altered.

Lefty. The San Francisco Bay Area has a history strong in progressive politics. So does the region of the West. I thought then, and continue to think now, that a good deal of this grows from the character and the beauty of the Land. The mountains, valleys, rivers, sky, and what lives there want to be free. They want you to be just as free.

1 comment:

Yvonne said...

Creativity is better than reiterating received custom. Change may be better than abiding by that legacy of tradition, particularly if that legacy squelches things to retain its dominance.

Amen to that! (or Awen, if you prefer...)

May I suggest a blogpost about your coinage of the word "metapantheon" and posting it to MetaPagan under theology?

Also, I'd be interested to know why you use the term NeoPagan rather than just Pagan.